Scales “Outside of the Box” Part One

Scales “Outside the Box”

Most people begin learning their pentatonic (5-note) & diatonic (7-notes) scales using a system that breaks them up into five vertical patterns.

Those patterns are essential to know and you can never practice them too much. That being said, it is also important to vary your practice routines and there are plenty of different ways to study these scales. For example, look at this chart (click to make bigger):

How to read the Charts? click here

Diatonic-Scales-Pattern-Shapes-Major-Natural-Minor-7-Note-Scale

In the Key of C, starting on the 5th fret, play this pentatonic scale pattern using only your index finger and your pinky.

Diatonic-Scales-Pattern-Shapes-Major-Natural-Minor-7-Note-Scale

This is another pattern utilizing the same basic idea. This one starts on the 12th fret. For a great finger-stretching exercise, play them with your index and ring finger!

The following diagrams are a little more complicated:

Diatonic-Scales-Pattern-Shapes-Major-Natural-Minor-7-Note-Scale

Diatonic-Scales-Pattern-Shapes-Major-Natural-Minor-7-Note-Scale

If you want to kick it up a notch, try playing all the notes without using your ring finger.

To progress your learning you can add another note. Here is an example using the first pattern.
Diatonic-Scales-Pattern-Shapes-Major-Natural-Minor-7-Note-Scale

Or you can even play that added note scale going down, and then play the following scale going back up.
Diatonic-Scales-Pattern-Shapes-Major-Natural-Minor-7-Note-Scale

Okay, with everything I have just shown you, you should be able to start developing your own charts. Add a note or two or three, take away a note, change the fingering, etc…

I find that the best way to practice is to constantly evolve your routine, that way it doesn’t get boring. As your playing progresses you should always be challenging yourself to think “outside of the box”.

Here is a video for further explanations and ideas.

Check out these related posts:
Master Your Phrasing with Scale Paths

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